川村 陶子

The official concepts of foreign cultural policy in the Federal Republic of Germany, formalized in three policy papers issued in the 1970s, preempt the philosophy of cultural activities in the interdependent and globalized world of the late 1990s. In the three papers, the German government does not actively constitute a "national culture" through presenting publicly authorized cultural elements to people in foreign countries, but it rather promotes transnational relations by encouraging free activities by various social actors across national borders.<br>The formalization of these uniquely "liberal " concepts —or, the "reform" of foreign cultural policy— resulted from multiple factors at different levels of the policy process concurring during the period from the late 1960s to the early 1970s. Although students of German politics might be tempted to regard the "reform" as a variable dependent upon general political change such as the formation of the social-liberal coalition and Willy Brandt's new Ostpolitik, the reality of policymaking and the content of policy papers, such as the key idea "enlarged concept of culture", cannot be explained by such a parsimonious model.<br>By tracing the history of the policy process, especially the development of the philosophy of cultural relations itself, one can recognize two factors which were of vital importance for the formalization of new concepts: the changing identity of policymakers, which lay at the base of the very formation of the Brandt government, and the reform initiative within the policy process taken by Ralf Dahrendorf, then the Parliamentary State Secretary of the Foreign Office. On the one hand, the quest for a new "FRG-identity" in the transition period of postwar international relations, which also meant the quest for a new Federal Repubulic open toward the world and contributing to international cooperation, was embodied in the "enlargement of the concept of culture" in the new philosophy. On the other hand, Dahrendorf influenced the making of the policy papers not only in the sense that he took the first step in the "reform" process of the Foreign Office, but also that the opposition party in the Bundestag felt obliged by this popular sociologist to organize a parliamentary inquiry committee for foreign cultural policy, which would produce a thorough report supporting the core of liberal ideas proposed by Dahrendorf himself.<br>Although Dahrendorf left the Foreign Office within 10 months, he played a decisive role in the formalization of new concepts because Dahrendorf, with his progressive liberal theory and distinguished career in the Anglo-American social scientific field, personified the new identity and reform-mindedness of FRG-policymakers at that time. The fact that he could not stay in office for a long time indicates that the genuine Reformeuphorie was transient, but the timing for his initiative was good enough to get the "reform" started. The new concepts of the official FRG-cultural relations are not the byproduct of Brandt's new Ostpolitik, but, through the personality of Dahrendorf, rather reflects the Zeitgeist of the time, which sought for democracy and open-minded transnational cooperation in a changing world.

東京大学大学院 修士論文（総合文化研究科国際関係論専攻）